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Rock a My Soul. 3 part Choral with Soli
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You've selected:
Rock a My Soul. 3 part Choral with Soli
Sheetmusic to print
3 sheet music found
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1
Rock-a-My-Soul. - 3 part Choral with Soli
Rock-a-My-Soul. - 3 part Choral with Soli
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Choral 3-part
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INTERMEDIATE
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Phil Beaman
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Rock-a-My-Soul. - 3 part Chora
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Phil Beaman
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SheetMusicPlus
Choral Choir (3-Part) - Level 3 - SKU: A0.844645 Composed by Phil Beaman. Folk,Jazz,Spiritual. Octavo. 13 pages. Phil Beaman #4719605. Published by Phil...
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Choral Choir (3-Part) - Level 3 - SKU: A0.844645 Composed by Phil Beaman. Folk,Jazz,Spiritual. Octavo. 13 pages. Phil Beaman #4719605. Published by Phil Beaman (A0.844645). This piece is a Showstopper! Rock-a-My-Soul is a Choral piece based on the traditional folk/gospel/spiritual. I originally envisioned this piece for a Middle School Choir, but it works well with any group that wants to have fun. It is written in 3 part Treble clef which the conductor may assign as they see fit for their choir and performance. (Part 3 works very well with male voices.) Parts all stay within an octave from Middle C to C above. This lively version uses many styles of jazz to drive this piece, yet there is also a recurring descending third ostinato which is the rocking comfort this piece imparts. The piano part plays an important role in driving this piece and setting the moods. Each of the seven sections shifts the mood and jazz style but maintains a level of energy. After completing the jazz arrangements of the traditional chorus I tried various ways to extend the piece. One day while working on this piece I saw a news clip about another school bullying incident. I immediately made the connection -- at its heart Rock-a-My-Soul is really about overcoming obstacles to find comfort and acceptance. So I wrote some additional lyrics to create an anti-bullying, anti-depression section. I have soloists deliver the main lines to make it personal and invitational then the choir backs them up, call and response style, with Everything's gonna be alright. Lyrics throughout are all carefully worded so that the song may be used for either secular or sacred purposes. The context and location where it is sung will flesh out the implied and intended meaning. If sung in school it means you have friends here who accept you; if sung in your place of worship then it means that your God accepts you.Simple power, beauty and meaning all wrapped in joyous jazz!13 page score, 4:00 minute performancerecording is various excerpts of the accompaniment to show different stylistic sections
$2.99 ≈
2.79€
This I Know
This I Know
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Choral SATB
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INTERMEDIATE
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Aaron Shust
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Christopher R
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This I Know
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Christopher Brown
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.747292 By Aaron Shust. By Aaron Shust, Andrew Pruis, and Matthew West. Arranged by Christopher R. Brown. Contemp...
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Choral Choir (SATB) - Level 3 - SKU: A0.747292 By Aaron Shust. By Aaron Shust, Andrew Pruis, and Matthew West. Arranged by Christopher R. Brown. Contemporary. Octavo. 7 pages. Christopher Brown #5324397. Published by Christopher Brown (A0.747292). This anthem is arranged for tenor soloist, SATB choir, piano & optional worship band (rhythm chart). The lyrics direct us to be assured of what we know is true according to the Word of God during times of uncertainty, anxiety, and doubt. Lyrics below.This is the vocal part for the arrangement which includes the soloist and choral parts. The piano accompaniment and rhythm chart is available separately on SheetMusicPlus.Please Note:Performance of this music requires one copy of the vocal score purchased for each singer.Lyrics:When I'm surrounded by uncertaintyAnd my fear tries to steal controlThere's one thing that is no mysteryJesus loves me this I knowWhen I'm flooded with anxietyWaves of doubt won't drown my soulThere's a peace that rests inside of meJesus loves me this I knowPraise the One Who walks beside me throughMountain high and valley lowMy hope is found in this forever TruthJesus loves me this I knowJesus loves me this I knowWhen my sin says I'm unreachablePast the point where grace can goWhen I feel anything but loveableJesus loves me this I knowPraise the One Who walks beside me throughMountain high and valley lowMy hope is found in this forever TruthJesus loves me this I knowJesus loves me this I knowOn Christ the Solid Rock I standAll other ground is sinking sandMy Saving Grace My only hopeMy Jesus loves me this I knowOn Christ the Solid Rock I standAll other ground is sinking sandMy Saving Grace My only hopeMy Jesus loves me this I knowPraise the One Who walks beside me throughMountain high and valley lowMy hope is found in this forever TruthJesus loves me this I knowJesus loves me this I knowPraise the One Who walks beside me throughMountain high and valley lowMy hope is found in this forever TruthJesus loves me this I knowJesus loves me this I knowJesus loves me this I knowOn Christ the Solid Rock I standAll other ground is sinking sandMy Saving Grace My only hopeMy Jesus loves me this I know
$1.99 ≈
1.86€
Rhapsody for Concert Band
Rhapsody for Concert Band
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Concert band
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INTERMEDIATE/ADVANCED
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Classical
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July 16th, Clara noted in her
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Brock Lupton
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Rhapsody for Concert Band
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Brock Lupton
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.942434 Arranged by Brock Lupton. Romantic Period. Score and parts. 84 pages. Brock Lupton #6879051. Published by Brock ...
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Concert Band - Level 4 - SKU: A0.942434 Arranged by Brock Lupton. Romantic Period. Score and parts. 84 pages. Brock Lupton #6879051. Published by Brock Lupton (A0.942434). Brahms composed the Alto Rhapsody, properly known as Rhapsody for Alto, Male Chorus, and Orchestra, opus 53 in 1869. It was first performed in Jena on March 3, 1870. The text is based on Harzreise im Winter (Winter Journey in the Harz Mountains), a poem by well-known German poet Johann Wolfgang von Goethe (1749-1832). The Alto Rhapsody, like many of Brahms’ works, has loneliness and alienation as its central themes. Brahms’ devotion to Clara Schumann, Robert Schumann’s widow, is well-known (the letters between her and Brahms fill two volumes). What is less well-known is that he was undoubtedly very fond of Julie Schumann, Clara’s daughter.In 1869, Brahms spent the summer near the Schumann’s residence and was in daily contact with Julie and Clara completing, among other works, the Liebeslieder (Love Song) Waltzes. In early July, Julie announced her engagement. Of course, I told Johannes first of all, Clara noted in her diary on the 11th. Soon after, the conductor Hermann Levi told her that Brahms had been devotedly attached to her daughter. By July 16th, Clara noted in her diary that Brahms speaks only in monosyllables . . . [and] treats Julie in the same manner, although he used to be so especially nice to her. Did he love her? Julie was married on September 22. Later on that very wedding day, Brahms called on Clara, who wrote in her diary, Johannes brought me a very wonderful piece . . . the words from Goethe’s Harzreise. . . He called it his bridal song. This piece seems to me neither more nor less than the expression of his own heart’s anguish. If only he would for once speak so tenderly! This piece is of course the dark and emotional Alto Rhapsody. Goethe’s poem Harzreise im Winter poetically describes the kind of life God intends for different temperaments. The three stanzas set by Brahms concern the fate of a man in fruitless struggle against the bonds of misery. A young man, turned misanthropic by sorrow, seeks solitude in the wilderness. The piece is in the baroque cantata style, with an opening recitative, and aria, and a concluding chorale. The alto describes the desolate winter landscape and in the final chorale joins the male chorus in a prayer for a melody that can bring comfort to the thirsting soul (indeed the plea restore his heart is repeated three times at the end, as a kind of Amen). In the Alto Rhapsody it is not hard to find evidence for Brahms’ statement that I speak through my music. The foregoing is from a program note written for a 1997 New York Choral Society performance of the Alto Rhapsody in observance of the centenary of the death of Johannes Brahms. It has been taken from the society web page http://www.nychoral.org/brahms/brahms3.htmlAn English translation of the German text used by Brahms SOLOBut down there, who is it?His path loses itself in the bush. Behind him the branches close. The grass stands up again. Desolation surrounds him. O, who heals the wounds of the one to whom balm has become poison, who drank hatred of people from the fullness of love? Once despised, now a despiser. Secretly he destroys himself in unsatisfying self-seeking. CHORUS If there is in your psaltery, Father of Love, a tone his ear can hear, let it enliven his heart. .
$20.00 ≈
18.67€
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Rock a My Soul. 3 part Choral with Soli
